Nicolas Büchi

AMBEOエキスパートストーリー

Nicolas Büchi (*1982) is a scientific researcher in the Cast / Audiovisual Media specialization, Department of Design at the Zurich University of the Arts.

A Proximal Visit – filming stairs in Hong Kong

I met Melissa Cate Christ in Summer 2016. She is in charge of a research project at the Polytechnic University of Hong Kong that explores the sociocultural development of stairs in Hong Kong. The phenomenon of stairs in Hong Kong is only fascinating at second glance: Hong Kong is made up of skyscrapers and high-traffic roads. What’s missing are public places inviting the citizens to interact informally. Stairs can provide these places even when space is very limited, allowing markets, performances, open lunch tables and other uses to appear.

As part of a research project by the Zurich University of the Arts and the Polytechnic University of Hong Kong, we were asked to produce several 360° videos in order to make these stairs come alive. Thanks to our previous cooperation with Sennheiser, we were already familiar with the AMBEO VR Mic, but we had not yet had the chance to exploit the mic’s full potential. For the project in Hong Kong – A Proximal Visit –, we were tasked with filming 10 street scenes and a dance performance with improvised instruments. The city provided a wonderfully diverse and unique soundscape: In a very small space, you can hear every sound source imaginable, from a jackhammer to a songbird.

We wanted our production team to be small and to be able to work as discreetly and flexibly as possible, which is why the AMBEO VR Mic was the best choice for us. While the 360° camera is rather conspicuous, the AMBEO VR Mic still looks like a normal microphone and doesn’t attract special attention. This was very important to us because we had to sneak out of the picture and leave the setup alone during recording.

„All in all, the AMBEO VR Mic is the easiest, most solid, most reliable solution for our rigidly organized on-site production and also delivers the highest quality results.“
Nicolas Büchi

Luckily, the AMBEO VR Mic is very easy to operate. Alun Meyerhans was responsible for the sound recording and he had to make sure that our sound engineer Thomas Rechberger would get high-quality recordings. One of the decisive factors was the perfect microphone alignment: In our setup, the microphone needed to be positioned vertically as well as in the same direction relative to the camera. We recorded with a Zoom F8, which allowed us to make the exact same adjustments to each channel.

In order to enhance the documentary experience of the stairs, there is a short introduction for which the voice-over is played on the stereo canals while the rest of the sound is experienced as a complete 3D world. In terms of the platform, we are currently releasing the experience on Facebook because it offers the finest resolution for the 3D channels.

About Nicolas Büchi

Nicolas Büchi (*1982) is a scientific researcher in the Cast / Audiovisual Media specialization, Department of Design at the Zurich University of the Arts (ZHdK). He has gained a rich experience in the production of VR content during his employment at Cast, but also through his own company Winterlife: All area media services. His collaborative work with the Game Design program, the Music Department and the Contemporary Art Research program at the ZHdK has demonstrated new ways of audio visual storytelling.

He studied Interaction Design at the ZHdK and worked afterwards for a long time in the creation and development of media content for museums and corporate clients all over Europe. His focus was always to find new ways of digital storytelling, either as a result of technological innovation, or as a result of completely new approaches to the audience.

About Nicolas Büchi

バーチャルリアリティのエキスパート・ストーリー

ヘンリク・オッパーマン

ヘンリク・オッパーマンは、ヴィジュアライズ社のサウンドヘッド。3Dサウンドスペシャリストの第一人者として、映画、広告、音楽業界や3Dサウンドインスタレーションの分野でスタジオクオリティのオーディオレコーディングを10年以上にわたり手掛けてきました。

マイケル・エングマン・ロンナウ

マイケル・エングマン・ロンナウは、25年にわたり音楽業界で活躍しています。10代でミュージシャンとしてのキャリアをスタートさせ、1992年にスタジオでの仕事に主軸を移しました。現在はプロフェッショナルオーディオの販売を手掛けるかたわら、ミュージシャンとしての活動やFOHミックスの制作、自宅に設けたProToolsスタジオの運営に従事しています。

コモ・ジャリバート

コモ・ジャリバートは、2002年にサウンドエンジニア兼サウンドデザイナーとしてキャリアをスタートさせました。没入型サウンドを追求し続け、サラウンドサウンドによるさまざまな試みを行っています。現場では、サウンドを「聴く」のではなく「感じる」ことを重視しており、これまでに映画やTV、ビデオゲーム、トランスメディア、VRなど多様な作品を手掛けてきました。最もよく知られた作品に映画『ミニスキュル~森の小さな仲間たち~』のサウンドデザイン、および世界初のタッチスクリーン用スクロールグラフィックノベル『Phallaina(パッライナ)』のサウンドスケープ制作があります。

Nicolas Büchi

Nicolas Büchi (*1982) is a scientific researcher in the Cast / Audiovisual Media specialization, Department of Design at the Zurich University of the Arts.

Thomas Rechberger

Thomas is a Swiss musician, music producer and sound designer. He has been working as an audio pro on all sides of the microphone for more than 20 years: As the lead guitarist of the band Lovebugs, he has played more than 1,000 concerts in Europe, recorded 13 albums, including several number-one singles, and received a number of Golden Record awards.

Fabian Knauber

As a studied acoustician, Fabian Knauber has acquired a broad theoretical knowledge of room acoustics, 3D audio and binaural technology which he complements by his practical experience as a freelance sound technician. Along with live sound and studio productions, his core areas of expertise include elaborate speaker-based installations and 3D sound for virtual reality.

Stephen Vitiello

Stephen Vitiello is an electronic musician and media artist. CD releases have been published by New Albion Records, Sub Rosa, 12k and Room 40. His sound installations and multi-channel works are in the permanent collections of the Museum of Modern Art, the Whitney Museum and the Museum of Contemporary Art, Lyon.

Little Konzett

Little Konzett is an Austrian producer, recording, mix and mastering engineer, musician and owner of „Little Big Beat Studios“. The studios are based in the Western part of Austria and in Liechtenstein.

Rodolphe Alexis

As a sound designer and sound engineer, his practice takes on various forms that are in dialogue with other fields of art (installation, sculpture, performance, radio).

Martin Rieger

Martin Rieger labels his profession as 360° sound production, which sees him taking a holistic approach to virtual reality productions, taking more elements into account in the recording and mixing process than traditionally, and crafting the storytelling throughout the entire process.
With his studies in media technology and production, he has a good overview of technologies in exceed of audio.

Dávid Rikk

Budapest based live sound engineer Dávid Rikk, is the head of sound at Akvárium Klub, Hungary’s biggest indoor venue with multiple concert halls. His primary goal is to bring concerts closer to the audience by creating a massive yet still dynamic sounding show and transmit the personality and intimacy of the performing artist. This attitude is behind creating AMBEO 360 @ Akvárium Klub series.

Katarina Hagstedt

Katarina is a Swiss based podcast producer and the founder of the Swiss Podcast Club, creator’s collective which aims to bring great podcasts out of Switzerland through exchange and knowledge sharing.

Georg Bleikolm

Georg Bleikolm was born in Lausanne and settled in Zurich 15 years ago. His heart oscillates between music, science, technology and media. Before he decided to concentrate on his solo projects “KnoR” Georg Bleikolm toured worldwide as a drummer with various bands for a decade and worked as a music producer.

アンドレ マヨ

AES(Audio Engineering Society)の前プレジデントであるアンドレ マヨは1992年からオーディオエンジニアとしてやプロデューサーとして活動してきたマスタリング分野における先駆者です。アナログ、CD、DVD、ブルーレイ、ストリーミング、360度立体オーディオなどのあらゆるフォーマットの音楽アルバムを3,000枚以上手掛けています。

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