Fabian Knauber

AMBEOエキスパートストーリー

VR Concert Recordings at the 50th Montreux Jazz Festival

The Montreux Jazz Festival celebrated its 50th anniversary last year. Its amazing archive of recordings, dating back to the festival’s beginnings, was included in the UNESCO Memory of the World Register in 2013. Owing to the fact that the festival’s founder, late Claude Nobs, had always been very interested in the latest recording technology, many of the concerts were documented as multitrack recordings or HD and 4K videos. It is not least due to this history that we were asked to record some of the concerts in 3D video and sound for the festival’s 50th anniversary – in addition to the AV productions they usually make.

We supplemented the Nokia Ozo system used for video recording with an AMBEO VR Mic provided by Sennheiser. This turned out to be a very good decision: The microphones integrated in the Nokia Ozo camera are unsuitable for concert recordings because, among other things, their fixed gain causes the signal to get clipped almost constantly.

In post-processing, we spatially placed the individual instruments’ spot microphones relative to the perspective of the 360° camera using spatial acoustics and 3D audio software. This resulted in high sound localization acuity and spectacular realism, which of course cannot be achieved with classic first-order Ambisonics.

„By adding the VR Mic recordings, we were able to significantly improve the 3D mix.“
Fabian Knauber

We captured sounds in the immediate vicinity of the camera, both from prominent sources that were not equipped with their own spot microphone and from the general sound ambience surrounding the camera. This ensured that image and sound fit perfectly.

In post-production, we heightened the sound localization acuity of the original first-order Ambisonics with a parametric decoder (Harpex). The virtually placed sound objects integrated seamlessly into this spatially balanced soundscape.

We were also very pleased with the AMBEO VR Mic’s small size since it allowed us to easily include it in the camera rig. The structure – consisting of the microphone stand, the camera and the microphone itself – was discrete enough that we could record concerts from very exposed places, like the center of the stage.

About Fabian Knauber

As a studied acoustician, Fabian Knauber has acquired a broad theoretical knowledge of room acoustics, 3D audio and binaural technology which he complements by his practical experience as a freelance sound technician. Along with live sound and studio productions, his core areas of expertise include elaborate speaker-based installations and 3D sound for virtual reality.

About Fabian Knauber

バーチャルリアリティのエキスパート・ストーリー

ヘンリク・オッパーマン

ヘンリク・オッパーマンは、ヴィジュアライズ社のサウンドヘッド。3Dサウンドスペシャリストの第一人者として、映画、広告、音楽業界や3Dサウンドインスタレーションの分野でスタジオクオリティのオーディオレコーディングを10年以上にわたり手掛けてきました。

マイケル・エングマン・ロンナウ

マイケル・エングマン・ロンナウは、25年にわたり音楽業界で活躍しています。10代でミュージシャンとしてのキャリアをスタートさせ、1992年にスタジオでの仕事に主軸を移しました。現在はプロフェッショナルオーディオの販売を手掛けるかたわら、ミュージシャンとしての活動やFOHミックスの制作、自宅に設けたProToolsスタジオの運営に従事しています。

コモ・ジャリバート

コモ・ジャリバートは、2002年にサウンドエンジニア兼サウンドデザイナーとしてキャリアをスタートさせました。没入型サウンドを追求し続け、サラウンドサウンドによるさまざまな試みを行っています。現場では、サウンドを「聴く」のではなく「感じる」ことを重視しており、これまでに映画やTV、ビデオゲーム、トランスメディア、VRなど多様な作品を手掛けてきました。最もよく知られた作品に映画『ミニスキュル~森の小さな仲間たち~』のサウンドデザイン、および世界初のタッチスクリーン用スクロールグラフィックノベル『Phallaina(パッライナ)』のサウンドスケープ制作があります。

Nicolas Büchi

Nicolas Büchi (*1982) is a scientific researcher in the Cast / Audiovisual Media specialization, Department of Design at the Zurich University of the Arts.

Thomas Rechberger

Thomas is a Swiss musician, music producer and sound designer. He has been working as an audio pro on all sides of the microphone for more than 20 years: As the lead guitarist of the band Lovebugs, he has played more than 1,000 concerts in Europe, recorded 13 albums, including several number-one singles, and received a number of Golden Record awards.

Fabian Knauber

As a studied acoustician, Fabian Knauber has acquired a broad theoretical knowledge of room acoustics, 3D audio and binaural technology which he complements by his practical experience as a freelance sound technician. Along with live sound and studio productions, his core areas of expertise include elaborate speaker-based installations and 3D sound for virtual reality.

Stephen Vitiello

Stephen Vitiello is an electronic musician and media artist. CD releases have been published by New Albion Records, Sub Rosa, 12k and Room 40. His sound installations and multi-channel works are in the permanent collections of the Museum of Modern Art, the Whitney Museum and the Museum of Contemporary Art, Lyon.

Little Konzett

Little Konzett is an Austrian producer, recording, mix and mastering engineer, musician and owner of „Little Big Beat Studios“. The studios are based in the Western part of Austria and in Liechtenstein.

Rodolphe Alexis

As a sound designer and sound engineer, his practice takes on various forms that are in dialogue with other fields of art (installation, sculpture, performance, radio).

Martin Rieger

Martin Rieger labels his profession as 360° sound production, which sees him taking a holistic approach to virtual reality productions, taking more elements into account in the recording and mixing process than traditionally, and crafting the storytelling throughout the entire process.
With his studies in media technology and production, he has a good overview of technologies in exceed of audio.

Dávid Rikk

Budapest based live sound engineer Dávid Rikk, is the head of sound at Akvárium Klub, Hungary’s biggest indoor venue with multiple concert halls. His primary goal is to bring concerts closer to the audience by creating a massive yet still dynamic sounding show and transmit the personality and intimacy of the performing artist. This attitude is behind creating AMBEO 360 @ Akvárium Klub series.

Katarina Hagstedt

Katarina is a Swiss based podcast producer and the founder of the Swiss Podcast Club, creator’s collective which aims to bring great podcasts out of Switzerland through exchange and knowledge sharing.

Georg Bleikolm

Georg Bleikolm was born in Lausanne and settled in Zurich 15 years ago. His heart oscillates between music, science, technology and media. Before he decided to concentrate on his solo projects “KnoR” Georg Bleikolm toured worldwide as a drummer with various bands for a decade and worked as a music producer.

アンドレ マヨ

AES(Audio Engineering Society)の前プレジデントであるアンドレ マヨは1992年からオーディオエンジニアとしてやプロデューサーとして活動してきたマスタリング分野における先駆者です。アナログ、CD、DVD、ブルーレイ、ストリーミング、360度立体オーディオなどのあらゆるフォーマットの音楽アルバムを3,000枚以上手掛けています。

Sign up for the newsletter and join the AMBEO Community

If you have any feedback or comment on AMBEO Music Blueprints, or want to share your experience and be featured in an Expert Story, please contact us.

Newsletter subscription